771 pages
Bookclub read
Blurb
It begins with a boy. Theo Decker,
a thirteen-year-old New Yorker, miraculously survives an accident that kills
his mother. Abandoned by his father, Theo is taken in by the family of a
wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by
schoolmates who don't know how to talk to him, and tormented above all by his
unbearable longing for his mother, he clings to one thing that reminds him of
her: a small, mysteriously captivating painting that ultimately draws Theo into
the underworld of art.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.
The Goldfinch combines vivid characters, mesmerizing language, and suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.
The Goldfinch combines vivid characters, mesmerizing language, and suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.
Review
In retrospect I have to wonder why
I picked this book for my book club. The fact that a movie based on this book
was recently released had something to do with it. And I adored Donna Tartt’s
Secret History when I read it something like thirty years ago. But I should
probably have done a little research first and have looked at the reviews of
this story on Goodreads before making my decision. Because, if I’m totally
honest I have to admit that I probably wouldn’t have finished this book if it
hadn’t been this month’s book club read.
Not that the story is all bad. The
premise of the story is quite interesting actually. It’s very easy to imagine a
teenage boy getting obsessed with a picture his mother adored, especially if his
mother dies shortly after showing the image to him. What happens to Theo after
his mother dies and finds himself without a support network and caring
relatives, is heartbreaking and all too realistic. His subsequent friendship
with Boris, who is a fascinating but questionable character from the moment he’s
first introduced, makes perfect sense under the circumstances, as does his
obsession with Pippa and Hobie.
The problem for me was that the
story got lost in the wordiness of this tale. I can’t help feeling that this
book could have been half the size it is without losing anything, while
probably gaining a lot as far as intrigue and tension are concerned. I
basically stopped caring when every single act, thought, and surrounding was described in so much detail that I managed to forget what the words were
referring to. A good, and very determined editor, might have done wonders for
this book, I feel. But, given that the book won the Pulitzer Prize for Fiction,
that thought may say more about my lack of literary knowledge than Mrs. Tartt’s
writing skills. 😊
The blurb suggests a story filled
with ever increasing levels of suspense and one or two scenes in the story
certainly took my breath away but, unfortunately, even those moments got dulled
through too much description. Sometimes authors need to trust the reader to
know and understand what’s happening without them having to spell out every
single detail. Tartt apparently doesn’t trust her reader to do that, and as a
result, wrote a book that should have been fascinating but ended up boring me.
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