Publisher:
Bluemoose
Blurb
His name was Joseph, but for years they had called him Panenka, a name that was his sadness and his story. Panenka has spent 25 years living with the disastrous mistakes of his past, which have made him an exile in his home town and cost him his dearest relationships. Now aged 50, Panenka begins to rebuild an improvised family life with his estranged daughter and her seven year old son.
But at night, Panenka suffers crippling headaches that he calls his Iron Mask.
Faced with losing everything, he meets Esther, a woman who has come to live in
the town to escape her own disappointments. Together, they find resonance in
each other’s experiences and learn new ways to let love into their broken
lives.
Review
I read Leonard and Hungry Paul by Rónán Hession just under a year ago and adored the book. As I wrote at the time, ‘it is a quiet read…sweet, uplifting, and all the more thought-provoking for it’. So, I went into Panenka with high expectations and I’m very happy to report that I wasn’t disappointed.
Like its predecessor, Panenka is anything but an action-filled page turner. And yet, the story gripped me from the very start, and I would have found it next to impossible to put the book down for long. Thankfully, there was no need for me to be away from the story for any length of time after I started reading.
This is very much a character-driving story. A story about life, the moments that define us, and the always present opportunity to choose differently and, maybe, do better. For the most part (and with the possible exception of Panenka himself), the issues the characters in this book face aren’t huge, or earth-shattering. That makes them all the more recognisable. And the same is true for the way they deal with their situations. And that’s what made this book so special for me. It doesn’t create drama for the sake of it, because life, with its ups and downs, is dramatic enough without overstating the facts.
What most impressed me about Panenka and its predecessor is the apparent discrepancy between what appears to be a simple and subdued story and the glorious, thoughtful, and thought-provoking language in which is told. So many sentences and paragraphs stopped me in my tracks. I’d re-read them while pondering the message or admiring the choice of word, the imagery, the depth. I’m sharing a few examples below, but I was spoiled for choice in this book and could easily have come up with a much, much longer list.
“It
struck him how unreliable age was as a measure of anything. All it did was
count the distance from the start when what truly mattered was the time
remaining.” (p.63)
“Well look at us. I could have asked for the full tour – you could have shown me around all your own facts and circumstances, given me the tourist board version of yourself. A whole story that I would later have to revise or unlearn based on who you turned out to be. Bit if I start with what you’re actually like, pick you up where I found you, then at least I’m starting with my information. I can sketch you my won way, and then colour you in over time.” (p.99)
“At times this place has been like quicksand. At other times like the centre of the world.” (p.112)
“Sometimes, as I get older, I wonder whether all that’s left are the unfixable things.” (p.115)
“Loneliness is a torch. It can show you things about yourself.” (p.123)
“But isn’t that what allowing yourself to be loved is all about – letting something greater than fear into your life?” (p.160)
Long review short.
Panenka is a treasure of a book. The quiet story it tells is filled with
humanity. It touched me deeply without ever turning sentimental. Between Leonard
and Hungry Paul and Panenka, Rónán Hession has earned his
place on my list of ‘must-read authors’.
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